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Born 1972, Leuven, Belgium. Lives and works in New York . |
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Masters of Fine Arts, California Institute of the Arts, Valencia, CA. |
| 1996 | Fulbright Scholarship, Institute for Media Studies, University of Siegen, Germany. | ||
| 1995 | Bachelor of Arts, German Studies, Columbia University, New York. | ||
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| Solo Exhibitions and Projects: | |||
| 2009 | Structural, Uncontrolled, Hollywood, Political, Auteur, Cosmic, Happy, Sad, and Ordinary Redling Fine Art, Los Angeles |
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| Concrete Boat, produced on the beach by Redling Fine Art, Los Angeles | |||
| 2008 | Forms in the Realm of Time, Laure Genillard, London | ||
| 2007 | House Beautiful, Adamski-Berlin, Berlin, Germany | ||
| 2005 | Flashbulbs: The Central Library Project, Central Library, Leuven, Belgium. | ||
| Mourning, High Quality, Bad Luck, Adamski Gallery, Aachen, Germany. | |||
| 2003 | To My Child-Friend, Adamski Gallery, Aachen, Germany. | ||
| 2002 | Here Between There, Adamski Gallery, Aachen, Germany. | ||
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| Selected Group Exhibitions and Projects: | |||
| 2010 | Greater New York, P.S.1, NYC | ||
| 2009 | Presque Rien III (Next to Nothing), Laure Genillard Hanway Place, London, England | ||
| Another Air, Alessandra Bonomo Gallery, Rome, Italy. | |||
| Sculpture Seminar: Concrete Boat-building: Its Technique and Its Future, The Univsersity of Trash, The Sculpture Center, New York, NY. |
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| 2008 | Standard Sizes, Andrew Kreps Gallery, New York, NY | ||
| Hey Hey Glossolalia, Crative Time, New York, NY |
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| 2007 | Presque Rien I (Next To Nothing), Laure Genillard, London, UK | ||
| A for Alibi, De Appel, Amsterdam, NL | |||
| Nomadic Furniture, Vox Populi, Philadelphia, PA |
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| 2006 | Prologue, Adamski at The Rental Gallery, Los Angeles, CA | ||
| Ideal City, Invisivble Cities, Potsdam, Germany | |||
| Wilder, Eames, Essenwin and Leeds, Inaugural Commision for Schürmann Berlin, Berlin | |||
| Ideal City, Invisivble Cities, Zamosc, Poland | |||
| Back and Forth, 29th Duisburger Akzente, Lehmbruck Museum, Duisburg, Germany. | |||
| A is for Alibi, Uqbar Foundation, University Museum Utrecht, Utrecht, NL | |||
| 2005 | Menschensgladbach, Museum Abteiberg, Mönchengladbach, Germany | ||
| Never Odd or Even: Marres Center for Contemporary Art, Maastricht, NL. | |||
| Book as Object and Performance, Gigantic Art Space, New York, NY . | |||
| 2004 | Summer Camp, Adamski Gallery, Aachen, Germany. | ||
| Mengenbüro, The Changing Room, Stirling, Scotland, UK. | |||
| 2003 | Good Words and Credentials, Columbia University, New York, NY. | ||
| Gibt’s mich wirklich, K21, Kunstsammlung Nordrhein-Westfallen, Düsseldorf, Germany. | |||
| Float, Socrates Sculpture Park, New York, NY. | |||
| Drawing Show, Adamski Gallery, Aachen, Germany. | |||
| Drive into the Sunset, Western Front Society Gallery, Vancouver, BC, Canada | |||
| 2002 | Making, LACMALab, Los Angeles County Museum of Art, Los Angeles, CA. | ||
| Messy Fingers, Track 16 Gallery, Santa Monica, CA. | |||
| TONIGHT, Schnittraum, Cologne, Germany. | |||
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Bibliography: |
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| 2009 | About Thick Air and the Frustration of Distance in time and space, about riddles. In: Simon Dybbroe Møller: Kompendium, Kunstverein Hannover, Frankfurter Kunstverein and JRP press |
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| 2008 | DEMONOLOGY: Hey Hey Glossolalia, Crative Time, New York | ||
| Ghostly Media: What Would an Invoking Medium Look Like? Art and Research, Glasgow School of Art | |||
| 2007 | A for Alibi, Uqbar Foundation, Sternberg Press, Berlin/New York | ||
| Art and Research, Glasgow School of Art, (vol. 1 and 2): artandresearch.org.uk | |||
| 2006 | Ideal City, Invisible Cities, European Art Projects, Potsdam, Germany | ||
| Back and Forth, Westdeutsche Zeitung insert, Lehmbruck Museum, Duisburg Germany | |||
| 2005 | Flashbulbs, The Central Library Project, The University Library of the KUL, Leuven Belgium | ||
| 2003 | Gibt’s mich wirklich, Vier Räume aus der Sammlung Schürmann, K21, Kunstsammlung Nordrhein-Westfallen, Düsseldorf, Germany. |
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| Work has also been exhibited at The Armory Show, New York (2004, 2007, 2010), Artforum Berlin(2004, 2005, 2006, 2007), Art Brussels (2003, 2008), ArtLA (2008), Art Cologne (2004, 2005,2009)and NADA Miami (2007) and is included in the Sammlung Schürmann and permanent collection of The Abteiberg Museum, Monchengladbach, Germany. | |||
| © Brian O'Connell, 2010 | |||