Category: All Research—Chronological
These pages compile research, experimentation, and process documentation. Research pages can be accessed in two ways: chronologically and “elementally.” The elemental organization is idiosyncratic and allows for connections to be made across areas of interest. It continues the admittedly futile project begun in 2012 with Ways and Means (wayandmeans.info). Additional written material—reports, interviews, and proposals—can […]
These pages compile research, experimentation, and process documentation organized chronologically. To see the same research categorized by areas of interest see: Research—Elemental. For exhibitions and completed work please refer to the Projects section of this site.
Indigo: Taxonomy: Plant —>Dye—>Indigo The following text was written in the Fall of 2010 for a blog that I have since lost all online record of (in fact I don’t remember having published it). At the time, I was preparing The Illusion of Plans at Dorsch Gallery in Miami. For more on the production of […]
In civilizations without boats, dreams dry up, espionage takes the place of adventure, and the police take the place of pirates. – Michel Foucault, “Of Other Spaces: Utopias and Heterotopias” (1984/1967) .,
Part of Avalanche Dynamics
Part of Avalanche Dynamics
Part of Avalanche Dynamics
The making of PALOMAR October
In anticipation of Made in L.A. 2014 at the Hammer Museum.
This page is still being written. When complete it will document the research and production of The Illusion of Plans (Dorsch Gallery, Miami, Oct-Nov 2010). This work uses the now weed-like presence of the indigo plant as its material foundation and spirals out into expeditions to locate the plants in their Florida habitat, encounters with […]
Earthen architectural elements
“The University of Trash”
The Sculpture Center, Queens, NY
2009
Leaded glass boxes and color photograms
Ideal City, Invisible Cities, Zamos / Potsdam, 2006
The Central Library, KUL, Leuven, 2005
Galerie Adamski, Aachen, 2005
Galerie Adamski, Aachen, 2003/4
Galerie Adamski, Aachen, 2002
These are the first digital photographs I ever took. I think the camera was made by Epson, or maybe Sony. In 1998, I set off on a fin de siècle reconstruction of Walter Benjamin’s Childhood in Berlin around 1900 in the new language of pixels. I didn’t make it very far. I would again photograph […]
