begun May 2020
Author: BOCStudio
Redling Fine Art, Malibu, California, 2009
Forest Island Project, Mammoth Lakes, CA 2019
A series of ongoing sculptural objects and proposals.
WiSPR (Wide Spectrum Portrait Receivers), 2016-2017
Laure Genillard, London
2016
16mm color-timed film printed from color black and white reversal original, 2015
The making of PALOMAR October
Hammer Museum, Los Angeles, CA
2014
In anticipation of Made in L.A. 2014 at the Hammer Museum.
An online component of “Made in LA,” Hammer Museum, 2014
Redling Fine Arts, Los Angeles
2013
Protocinema, Istanbul
2012
Redling Fine Art, Los Angeles
2012
Istanbul and Bodrum, Turkey
Summer 2011
First made in collaboration with Ceramica Suro, Guadalajara, Mexico for: Everything Must Go! at Casey Kaplan, NYC (June 30 – July 30, 2011) these objects were also a part of PALOMAR at Laure Genillard Gallery, London in 2016. (Not)Turtles In 2006 Hungarian mathematicians Gábor Domokos and PĂ©ter L. Várkonyi proved the possibility of “a convex three-dimensional homogeneous body which, when resting on […]
The New Museum, New York City, 2011
Collaboration with Todd Bourret
D.U.M.B.O Art Space, Brooklyn, NY
2011
Dorsch Gallery, Miami
2010
This page is still being written. When complete it will document the research and production of The Illusion of Plans (Dorsch Gallery, Miami, Oct-Nov 2010). This work uses the now weed-like presence of the indigo plant as its material foundation and spirals out into expeditions to locate the plants in their Florida habitat, encounters with […]
MoMA PS1, New York City
July, 2010
Earthen architectural elements
MoMA PS1 – Greater New York 2010
Non-Film Installations 2009-2010
“The University of Trash”
The Sculpture Center, Queens, NY
2009
Laure Genillard, London
2008
Leaded glass boxes and color photograms
Adamski Gallery, Berlin, 2007
A for Alibi, De Appel, Amsterdam, 2007
Ideal City, Invisible Cities, Zamos / Potsdam, 2006
The Central Library, KUL, Leuven, 2005
Galerie Adamski, Aachen, 2005
Galerie Adamski, Aachen, 2003/4
Galerie Adamski, Aachen, 2002
These are the first digital photographs I ever took. I think the camera was made by Epson, or maybe Sony. In 1998, I set off on a fin de siècle reconstruction of Walter Benjamin’s Childhood in Berlin around 1900 in the new language of pixels. I didn’t make it very far. I would again photograph […]
